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Critics argue that Bollywood’s obsessive romantic targeting normalizes stalking (e.g., Darr , Raanjhanaa ) and perpetuates unrealistic expectations. While valid, these critiques miss the generic function: entertainment industries thrive on heightened emotion, not social modeling. Moreover, contemporary Bollywood is diversifying—films like Gully Boy (2019) target romantic self-actualization rather than an external beloved. However, the “romantic target” remains the dominant template because it reliably delivers the emotional peaks (joy, grief, suspense) that mass audiences pay for. hot romantic mallu desi masala video target better