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The "Mums and Daughters" series plays on a classic trope within erotica: the exploration of age-gap dynamics. However, Thomas’s approach is less about the "taboo" shock value found in American studio productions and more about the interplay of experience and youth.
However, placing the film in its historical context reveals interesting points of friction. The early 2010s saw a shift in the adult industry towards "gonzo" and hardcore content. In contrast, Thomas’s focus on narrative and aesthetics positioned "Mums and Daughters 2" almost as an "art-house" alternative within the mainstream. His contemporaries, such as Andrew Blake, Michael Ninn, and Marc Dorcel, also pursued similar niches, but Thomas’s specific focus on European models and intergenerational lesbian themes carved out a unique space for his brand.