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Meanwhile, films like Sudani from Nigeria and Maheshinte Prathikaaram subtly deconstruct the "Malayali Muslim" and "Malayali Christian" identities. They show how religious rituals—from the Mappila paattu (Muslim folk song) to the Kappalottam (boat race festival)—are not just religious acts but social glue. The culture of "Sneham" (affection) is often depicted as transcending institutional religion, even as the films acknowledge the bigotry of the fringe.

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