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Prasanna Vithanage became a monumental figure in contemporary cinema with gritty, humanistic films such as "Purahanda Kaluwara" (Death on a Full Moon Day, 1997) and "Ira Madiyama" (August Sun, 2003). Similarly, Vimukthi Jayasundara made history in 2005 when his avant-garde film "Sulanga Enu Pinisa" (The Forsaken Land) won the Caméra d'Or at the Cannes Film Festival. Ashok Handagama also pushed boundaries with challenging, taboo-breaking narratives like "Aksharaya" (Letter of Fire, 2005).